As South Asians took root around the world and their local movie culture avidly followed them, one could hear Rahman’s music even if it didn’t puncture the consciousness: as background music in restaurants and posh stores, in the very beat of certain neighborhoods, and of course in the movies that occasionally broke out of Desi ghettos. Lagaan, the insurgent epic centered on an Anglo-Indian cricket match, was nominated for the Best Foreign-Language Film Oscar. Again Rahman’s work went uncited — though not, by Western film cultists, unappreciated. As they discovered India’s pop cinema, they realized that along with the ferocious emoting and delirious dances, there was a master composer — the man Indians call the Mozart of Madras.

And tht's y this day is special.May his rahmantic music rule the souls of music lovers the world over.
P_S
sorry 4 the belated wishes thalai!!